I did the artwork using Adobe illustrator software, and printed it onto waterslide decal paper. This was them transferred onto Celluloid sheet (couldn't afford MoP).
I knocked up a rough platform to use with a jewellers saw, but I didn't really get on with the saw so I had to come up with a plan B. I made a board to fit onto the dremel base with a hole sticking out for a cutter bit. I then inverted it and clamped it with my workbench so that the tool bit was sticking up a few millimetres. This allowed me to cut around the shapes carefully. I had to be extra careful with my fingers so close to a sharp cutty thing that could cause major damage to flesh!
After the dremel, I used small files to clean up the shapes. Overall pleased with the results.
A tiny hand vice came in handy for holding small bits.
With quite a lot of them done I thought I'd better work out how to get them into the fretboard.
My initial idea was to paint around the actual inlay with fairly 'dry' paint. The finish ended up a bit 'wooly' and innacurate
This mean that it was somewhat 'overcut' for my liking by the time I attacked it with the dremel
I came up with a Plan B, which was to paint the fretboard (well, a practice offcut) all white, let it dry then scratch around the sides of the inlay with a scalpel. This was a much more accurate approach, and the subsequent cut/fitting was a lot better. Still pretty tricky to do. Useful tip: I wear reading glasses these days, strength of 2.0. I also have a pair at 4.0 strength which allows you to get closer to stuff for viewing (all bought from the pound shop!). When I want to get REALLY close and accurate I put both pairs on at the same time. Then you can get a super-close view of what you are doing.
Well, that's it for now. A few more inlays to cut out then I will be tackling putting them into the fretboard.
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